Q: What the heck is a Wonder Wheel?
A: The Wonder Wheel is an abrasive wheel that works best on a bench grinder that goes at least 3450 rpm. We have a page now that goes into detail about the Wonder Wheel. Click here to read more about the Wonder Wheel.
Q: My Kirges 120 inflatable sander will not hold air, any ideas how to fix it??
A: This is hard to put into words, the sander is so small it doesn't take much for it to deflate. I have put together a slide type of presentation to walk you through the steps to get that handy little sander up and running. Click Here for Kirges 120 Sander Help
Q: What book or video should I get to learn the process of Intarsia?
A: That's a tough question to answer. Let's start with the oldest video and book that we have. Our book #IT-1 "Easy to Make Inlay" is great and is our first book. It deals with Intarsia from start to end. In this book as well as V-1 Intarsia Video we are showing a layout method which is the hand drawn method using carbon paper to transfer the different parts onto different pieces of wood. We used the carbon paper method all the time and still do use it on larger projects. It is a technique that can come in handy if you run out of pattern copies or if you do not have a way of making copies of the patterns. We do not show the technique of making of copies of the patterns to paste the pattern parts onto the different colors of wood. We were also cutting out the parts with the band saw and not scroll saw. If you are familiar with scroll saws, then that may not make much difference.
We have two books that are more or less patterns books with detailed instructions on the first two projects in each book, that would be # IT-2 "Small Intarsia Projects and # IT-3 "Artistry in Wood. They are geared for scroll saws, however with some modification a band saw will work also.
Jerry’s video JB-1 “Scroll Sawing for Accuracy” deals only with scrolling for accuracy which is a major element for intarsia projects fitting well.
Judy’s Video JB-3 “Contouring Intarsia” touches on several subjects like the new layout method etc. and heavy on the shaping aspect. The I-172 "Horse Run" project is used as an example. It starts with a flat project and ends with a nicely contoured three dimensional horse head, sharing all the techniques Judy uses on all intarsia projects.
Last but not least is our IT-4 “Intarsia Workbook”. We start from the beginning with a very simple project and work your way through to more complicated projects. It has lessons, and each lesson adds a few more elements to slowly build your intarsia skills.
I hope this helps you a little in deciding which one to go with.
Q: Why is our Luxo Magnifier-light so expensive?
A: This is another one of those - you get what you pay for items. There are magnifier-lights out there that sell for $40.00, they look similar to the Luxo that we carry. Trust me - there is a difference in quality and this is one that you can actually see. The lens on the cheaper models are “Molded” lenses and the lens on the Luxo is “Ground Glass” which is like the eyeglasses we use. The Luxo has less distortion. I bought one when I got my first Excalibur saw 14 years ago and it still works fine.
Q: Can the Gel Finish (Old Masters) we use be bought in stores?
A: Yes! Unfortunately it is not widely available, but there are some paint stores and hardware stores that do carry it. You can call Old Masters 1-800- 747-3436. Perhaps a search on the internet will bring up some other dealers.
If you can't find a dealer remember that we mail order the gel in the US. Sorry, no Gel to Hawaii or Alaska and Canada.
Q: Where do the patterns you sell come from?
A: Judy designs all of our patterns. First she makes a rough sketch of the pattern, shading the parts to get an idea what it will look like using the different shades of wood. After it passes the compostion/balance step the design is enlarged to scale. Next Jerry looks it over and edits it from a sawing standpoint. The pattern is then made into an intarsia piece, during the creation any modifications to make the pattern easier to use are noted on the test pattern. Next the finish is applied and the project is glued to a backing. It is studied again to see how the shades and grains work together. After all these steps the patterns are printed and made available to the public.
Q: Do you design "custom patterns" if I send a picture?
A: We have a list, and invite everyone to send in requests, of pattern ideas people have asked about. When a subject idea is requested numerous times she will make a pattern available. Judy does not create custom patterns, there just isn't enough time in a day. If we could only clone Judy she would have more time to create custom patterns.
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